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ROY ROGERS 20 MOVIE PACK (DVD/4 DISC) DVD Movie

ROY ROGERS 20 MOVIE PACK (DVD/4 DISC) DVD



PN: 683904200075     Release: 04/25/2006
Starring: Roy Rogers, Roy Rogers, Roy Rogers, Roy Rogers, Roy Rogers, Roy Rogers
Director(s): William Witney


The Carson City Kid
Roy Rogers plays an outlaw out to avenge the murder of his brother in this fine Republic Western directed by one of the masters of the genre, Joseph Kane. Learning that the man he believes to be the killer, Lee Jessup (Bob Steele), is running a gambling establishment in Sonora, the Kid manages to obtain a job body guarding Jessup's saloon and its star attraction, Joby (Pauline Moore). But although intent on biding his time, the hero cannot stand idly by while Jessup is taking advantage of a naïve prospector (Noah Beery Jr.) and is forced to show his hand. One of Rogers' better early vehicles, The Carson City Kid is enlivened by a couple of good songs, including "Are You the One?" and "Sonora Moon," both by Peter Tinturia and performed by Rogers and Moore (who later admitted to having been dubbed). ~ Hans J. Wollstein, All Movie Guide

Colorado
Brothers end up on opposite sides of the law in this Western set during the Civil War. Posing as a Union officer, Don Mason, aka Don Burke (Milburn Stone), attempts to divert the Union troops from the struggle with the Confederacy by arming the Colorado Indian tribes. Unbeknownst to Don, however, his younger brother Jerry (Roy Rogers) is assigned by President Lincoln to investigate the uprisings in the territory and the youngster arrives just as Don is preparing to marry Lylah Sanford (Pauline Moore). With the aid of grizzled sidekick Gabby (George "Gabby" Hayes), Roy manages to disarm the crooked Indian commissioner (Arthur Loft) but Don slips away with Lylah as his hostage. Roy is wounded in the ensuing shootout and is nursed back to health by Lylah, with whom he has fallen in love. There is the inevitable showdown between the brothers but rather than face the hangman, Don makes a daring escape and is shot and killed by Sheriff Harkins (Fred Burns). ~ Hans J. Wollstein, All Movie Guide

Young Bill Hickok
This Roy Rogers vehicle is a followup (though not a sequel) to 1940's Young Buffalo Bill. Definitely a "premature anti-fascist", singing frontiersman Bill Hickok (Roy Rogers) tries to thwart the takeover of West by foreign invaders. John Miljan is frontier fuhrer Nicholas Tower, who hires a gang of storm troopers-er, henchmen-to do his dirty work. Southern belle Louise Mason (Jacqueline Wells) initially aligns herself with Tower because he is ostensibly anti-Damyankee, but she finally turns against him when she realizes what he's up to. Calamity Jane also appears in the person of comic actress Sally Payne, while Gabby Hayes shows up as a character named-but of course-Gabby. ~ Hal Erickson, All Movie Guide

In Old Caliente
As in all his early westerns, Roy Rogers battles true Old West outlaws in the fine In Old Caliente. He is, as usual, Roy Rogers, but this time a trusted hand at the Olde California ranchero belonging to Don José (Frank Puglia). Unbeknownst to the Don, however, his "half-breed" foreman, Suguaro (Frank La Rue), is in league with Calkins (Harry Woods), the nasty Gringo behind a series of gold-shipment robberies. With Suguaro's help, Calkins manages to pin the crimes on Roy and Gabby (George "Gabby" Hayes) and the Don has them imprisoned. But Rita (Katherine DeMille), Don José's Eastern-bred daughter, believes them to be innocent and secures their release. The ensuing chase leads straight to the Pacific Ocean and the evil Suguaro is killed in the surf. Roy Rogers performs "Sundown on the Range", by Fred Rose, "The Moon, She Will be Shining Tonight" and, in a duet with George "Gabby" Hayes, "We're Not Coming Out Tonight", the latter two penned by Walter Samuels. ~ Hans J. Wollstein, All Movie Guide

Rough Riders' Roundup
Hot on the heels of Frontier Pony Express came the equally exciting Roy Rogers vehicle Rough Riders' Roundup. In the first film, Rogers was an express rider during the Civil War era; in the second, he's a veteran of the Spanish American war (ubiquitous fellow, isn't he?) With several of his fellow Rough Riders, Rogers joins the Texas border patrol, where he almost immediately clashes with a villain named Arizona (William Pawley). While maintaining a respectable facade, Arizona and his minions rob the stagecoaches and express offices, divesting the local prospectors of their hard-earned gold. With the help of grizzled old sidekick Rusty (Raymond Hatton)-not to mention the rest of the Rough Riders-Rogers crushes Arizona's operation once and for all. The film boasts two leading ladies: Rogers' usual vis-a-vis Mary Hart, and former silent star Dorothy Sebastian, here making a comeback attempt. ~ Hal Erickson, All Movie Guide

Sheriff of Tombstone
In this western, Rogers and his sidekick Gabby get into all kinds of trouble when they ride into Tombstone and find themselves mistaken for the hired gun and his assistant. The gunslinger was engaged to work for the mayor and for a time Rogers goes along with it. When he discovers that the mayor is a bonafide crook, the "gunslinger" becomes the new sheriff. When the real gunman finally moseys into town, a showdown ensues. ~ Sandra Brennan, All Movie Guide

The Lights of Old Santa Fe
Roy Rogers saves Dale Evans from being hoodwinked by a rodeo competitor in this pleasant, and pleasantly tuneful, B-Western from Republic Pictures. Due to the mismanagement of old-timer Gabby Whittaker (George "Gabby" Hayes), The Brooks Rodeo is about to be gobbled up by competitor Frank Madden (Richard Powers aka Tom Keene), who also has designs on pretty owner Marjorie Brooks (Evans) herself. But when Gabby hires Roy Rogers and the Sons of the Pioneers as the new headliners, Madden and his henchman Ken Ferguson (Roy Barcroft) are forced to commit a bit of sabotage. With the aid of Trigger, "The Smartest Horse in the Movies," and radio announcer Marty Maizely (Lloyd Corrigan), Roy and Gabby manage to the goods on Ferguson and prevent Marjorie from marrying the sleazy Madden. Featuring early silent screen star Claire Du Brey as Dale Evans' faithful housekeeper, Lights of Old Santa Fe also presents such pleasant musical divertissements as Jack Elliott's title tune, Tim Spencer's "Trigger Hasn't Got a Pretty Figger", "I'm a Happy Guy in My Levi's Britches" and "Cowpoke Polka", and Ricardo Lopez Mendez' "Amor". The latter is performed by Dale Evans in both English and Spanish versions. ~ Hans J. Wollstein, All Movie Guide

My Pal Trigger
This gentle, tuneful western is one of cowboy crooner Roy Rogers' best and most successful films; it is also his personal favorite. The fanciful tale tells how Rogers obtained his magnificent horse Trigger and begins with horse trader Rogers as he prepares to breed his best mare with his best friend's glorious Palomino stallion. Trouble comes in the form of a villainous gambler who has similar plans for his own mare. He attempts to rustle the stud, but the attempt fails, the stallion escapes and breeds with Roger's mare. Angrily, the gambler shows up and shoots the beautiful horse, leaving Rogers to shoulder the blame. Fortunately, Roy and his impregnated mare flee. Later she gives birth to Trigger who helps Rogers get revenge after he grows up. ~ Sandra Brennan, All Movie Guide

The Cowboy and the Senorita
Yet another tuneful Roy Rogers Western named after a song, The Cowboy and the Senorita features Roy and sidekick Teddy Bear (Guinn "Big Boy" Williams) as a couple of would-be prospectors fired from a small town café when the latter gets in trouble with an irate customer (rotund Ferdinand Munier). At the nearby town of Bonanza, the two friends find themselves falsely accused of kidnapping young Chip Williams (Mary Lee), who is actually a runaway. Having befriended both her girl and her half-sister Isabel Martinez (Dale Evans), Roy and Teddy Bear manage to solve the riddle of a treasure hidden in a supposedly worthless mine despite the sabotaging efforts of smooth tycoon Craig Allen (John Hubbard). In between the Western shenanigans, Rogers joins Lee, Evans, the Sons of the Pioneers, and such guest artists as the dance team of Jane Beebe and Ben Rochelle in no less than five musical numbers, including the title tune and a delightful rendition of Ned Washington and Phil Ohman's "What'll I Use for Money." Spanky McFarland, of Our Gang fame, has a funny silent bit in the opening scene. ~ Hans J. Wollstein, All Movie Guide

Bells of San Angelo
The Bells of San Angelo was the second Republic Roy Rogers western to be filmed in the "new" Trucolor process (actually the old Magnacolor process). Set in the modern west, the story involves a silver-smuggling racket headed by rotten Rex Gridley (John McGuire). In a novel scripting touch, Roy Rogers doesn't outwit the villains-and in fact is soundly beaten by the bad guys halfway through the film. It's up to heroine Lee Madison (Dale Evans), a writer of fanciful cowboy novels, to save the day! By taking Roy Rogers off his "King of the Cowboys" pedestal, Bells of San Angelo succeeds in humanizing this western icon, and the film is all the better for it. ~ Hal Erickson, All Movie Guide

Cast
Roy Rogers as Kid
George "Gabby" Hayes as Gabby
Bob Steele as Jessup
Noah Beery Jr. as Warren
Pauline Moore as Joby
Arthur Loft as Kirkie
Chester Gan as Wong
Roy Rogers as Jerry Burke
George "Gabby" Hayes as Gabby
Pauline Moore as Lylah Sanford
Milburn Stone as Capt. Stone
Maude Eburne as Etta Mae
Hal Taliaferro as Weaver
Vester Pegg as Sam
Fred Burns as Sheriff Harkins
Lloyd Ingraham as Sanford
Roy Rogers as Bill Hickok
George "Gabby" Hayes as "Gabby"
John Miljan as Nicholas Tower
Sally Payne as Calamity Jane
Archie Twitchell as Phillip
Monte Blue as Marshal Evans
Hal Taliaferro as Morrell
Ethel Wales as Mrs. Stout
Jack Ingram as Red
Monte Montague as Major
Roy Rogers as Roy
Mary Hart as Jean
George "Gabby" Hayes as Gabby
Jack LaRue as Delgado
Katherine de Mille as Rita
Frank Puglia as Don Miguel
Harry Woods as Calkins
Ethel Wales as Felicia
Roy Rogers as Roy Rogers
Mary Hart as Dorothy Blair
Raymond Hatton as Rusty
Eddie Acuff as Tommy Ward
William Pawley as Arizona
Dorothy Sebastian as Rose
Jack Rockwell as Grover Harrison
George Cheseboro as Mosby
Glenn Strange as Henchman
Duncan Renaldo as Don Enriquez
Roy Rogers as Bret Starr
George "Gabby" Hayes as Gabby
Elyse Knox as Mary Carson
Addison Richards as Mayor Keeler
Sally Payne as Queenie
Harry Woods as Shotgun Cassidy
Zeffie Tilbury as Granny Carson
Hal Taliaferro as Slade
Jay Novello as Joe Martinez
Jack Ingram as Bill Starr
Roy Rogers as Roy
George "Gabby" Hayes as Gabby
Dale Evans as Marjorie Brooks
Lloyd Corrigan as Marty Maizely
Claire Du Brey as Rosie McGerk
Arthur Loft as Bill Wetherbee
Roy Barcroft as Ken Ferguson
Lucien Littlefield as the Judge
Sam Flint as the Sheriff
Roy Barcroft as Hunter
Roy Rogers as Roy Rogers
Dale Evans as Susan
Al Bridge as Wallace
Harlan Briggs as Dr. Bentley
George "Gabby" Hayes as Gabby Kendrick
Paul E. Burns as Walling
Jack Holt as Brett Scoville
Kenne Duncan as Croupier
LeRoy Mason as Carson
Sam Flint as Sheriff
William Haade as Davis
Francis McDonald as Storekeeper
Frank Reicher as Magistrate
Ralph Sanford as Auctioneer
Roy Rogers as Roy
Mary Lee as Chip Williams
Dale Evans as Ysobel Martinez
John Hubbard as Craig Allen
Guinn "Big Boy" Williams as Teddy Bear
Fuzzy Knight as Fuzzy
Dorothy Christy as Lulubelle
Lucien Littlefield as Judge Loomis
Hal Taliaferro as Ferguson
Jack Kirk as Sheriff
Bob Nolan as Himself
The Sons of the Pioneers as Themselves
Roy Rogers as Himself
Dale Evans as Lee Madison
Andy Devine as Cookie
John McGuire as Rex Gridley
Olaf Hytten as Mr. Lionel Bates
David Sharpe as Gus Ulrich
Fritz Leiber as The Padre
Hank Patterson as The Old Timer
Eddie Acuff as Bus Driver
Crew
William Witney - Director
Les Orlebeck - Editor
Morton Scott - Composer (Music Score)
Mort Glickman - Composer (Music Score)
Tim Spencer - Songwriter
Jack Elliott - Songwriter
Bob Mark - Makeup
Gano Chittenden - Production Designer
Jack A. Marta - Cinematographer
Edward J. White - Producer
Helen Hansard - Set Designer
John McCarthy - Set Designer
Theodore Lydecker - Special Effects
Howard Lydecker - Special Effects
Paul Gangelin - Screen Story
Sloan Nibley - Screenwriter
William Witney - Director
Les Orlebeck - Editor
Morton Scott - Composer (Music Score)
Mort Glickman - Composer (Music Score)
Tim Spencer - Songwriter
Jack Elliott - Songwriter
Bob Mark - Makeup
Gano Chittenden - Production Designer
Jack A. Marta - Cinematographer
Edward J. White - Producer
Helen Hansard - Set Designer
John McCarthy - Set Designer
Theodore Lydecker - Special Effects
Howard Lydecker - Special Effects
Paul Gangelin - Screen Story
Sloan Nibley - Screenwriter
William Witney - Director
Les Orlebeck - Editor
Morton Scott - Composer (Music Score)
Mort Glickman - Composer (Music Score)
Tim Spencer - Songwriter
Jack Elliott - Songwriter
Bob Mark - Makeup
Gano Chittenden - Production Designer
Jack A. Marta - Cinematographer
Edward J. White - Producer
Helen Hansard - Set Designer
John McCarthy - Set Designer
Theodore Lydecker - Special Effects
Howard Lydecker - Special Effects
Paul Gangelin - Screen Story
Sloan Nibley - Screenwriter
William Witney - Director
Les Orlebeck - Editor
Morton Scott - Composer (Music Score)
Mort Glickman - Composer (Music Score)
Tim Spencer - Songwriter
Jack Elliott - Songwriter
Bob Mark - Makeup
Gano Chittenden - Production Designer
Jack A. Marta - Cinematographer
Edward J. White - Producer
Helen Hansard - Set Designer
John McCarthy - Set Designer
Theodore Lydecker - Special Effects
Howard Lydecker - Special Effects
Paul Gangelin - Screen Story
Sloan Nibley - Screenwriter
William Witney - Director
Les Orlebeck - Editor
Morton Scott - Composer (Music Score)
Mort Glickman - Composer (Music Score)
Tim Spencer - Songwriter
Jack Elliott - Songwriter
Bob Mark - Makeup
Gano Chittenden - Production Designer
Jack A. Marta - Cinematographer
Edward J. White - Producer
Helen Hansard - Set Designer
John McCarthy - Set Designer
Theodore Lydecker - Special Effects
Howard Lydecker - Special Effects
Paul Gangelin - Screen Story
Sloan Nibley - Screenwriter
William Witney - Director
Les Orlebeck - Editor
Morton Scott - Composer (Music Score)
Mort Glickman - Composer (Music Score)
Tim Spencer - Songwriter
Jack Elliott - Songwriter
Bob Mark - Makeup
Gano Chittenden - Production Designer
Jack A. Marta - Cinematographer
Edward J. White - Producer
Helen Hansard - Set Designer
John McCarthy - Set Designer
Theodore Lydecker - Special Effects
Howard Lydecker - Special Effects
Paul Gangelin - Screen Story
Sloan Nibley - Screenwriter
William Witney - Director
Les Orlebeck - Editor
Morton Scott - Composer (Music Score)
Mort Glickman - Composer (Music Score)
Tim Spencer - Songwriter
Jack Elliott - Songwriter
Bob Mark - Makeup
Gano Chittenden - Production Designer
Jack A. Marta - Cinematographer
Edward J. White - Producer
Helen Hansard - Set Designer
John McCarthy - Set Designer
Theodore Lydecker - Special Effects
Howard Lydecker - Special Effects
Paul Gangelin - Screen Story
Sloan Nibley - Screenwriter
William Witney - Director
Les Orlebeck - Editor
Morton Scott - Composer (Music Score)
Mort Glickman - Composer (Music Score)
Tim Spencer - Songwriter
Jack Elliott - Songwriter
Bob Mark - Makeup
Gano Chittenden - Production Designer
Jack A. Marta - Cinematographer
Edward J. White - Producer
Helen Hansard - Set Designer
John McCarthy - Set Designer
Theodore Lydecker - Special Effects
Howard Lydecker - Special Effects
Paul Gangelin - Screen Story
Sloan Nibley - Screenwriter
William Witney - Director
Les Orlebeck - Editor
Morton Scott - Composer (Music Score)
Mort Glickman - Composer (Music Score)
Tim Spencer - Songwriter
Jack Elliott - Songwriter
Bob Mark - Makeup
Gano Chittenden - Production Designer
Jack A. Marta - Cinematographer
Edward J. White - Producer
Helen Hansard - Set Designer
John McCarthy - Set Designer
Theodore Lydecker - Special Effects
Howard Lydecker - Special Effects
Paul Gangelin - Screen Story
Sloan Nibley - Screenwriter
William Witney - Director
Les Orlebeck - Editor
Morton Scott - Composer (Music Score)
Mort Glickman - Composer (Music Score)
Tim Spencer - Songwriter
Jack Elliott - Songwriter
Bob Mark - Makeup
Gano Chittenden - Production Designer
Jack A. Marta - Cinematographer
Edward J. White - Producer
Helen Hansard - Set Designer
John McCarthy - Set Designer
Theodore Lydecker - Special Effects
Howard Lydecker - Special Effects
Paul Gangelin - Screen Story
Sloan Nibley - Screenwriter

The Carson City Kid
By 1940, the folks over at Republic Pictures were mighty busy turning the former Leonard Slye into Roy Rogers, ace B-Western hero. Although not the genre superstar that he would become later in the decade -- especially after the studio lost Gene Autry to the war efforts -- Rogers was awarded quite a supporting cast in The Carson City Kid: Bob Steele, fresh from Lewis Milestone's Of Mice and Men (1939) and himself a veteran B-Western star; George "Gabby" Hayes, one of Hollywood's best comic sidekicks, who had just recently left Paramount's Hopalong Cassidy series over a salary dispute; and Noah Beery Jr., young and promising and with a stellar motion picture pedigree. Add the beautiful Pauline Moore and such stalwart Western film regulars as Hal Taliaferro and Yakima Canutt and you have what they used to call a "nervous A," a genre film good enough to play the top half of a double bill. Yet despite all this star quality, the best performance in The Carson City Kid is offered by a less-remembered old-timer, silent screen leading man Francis McDonald, who is quite poignant as a tired old outlaw. ~ Hans J. Wollstein, All Movie Guide
 

Colorado
Although forever compared to Gene Autry, Roy Rogers was much more the action star than a musical performer, at least in his earlier vehicles which were usually set in the historical West as opposed to Autry's contemporary arena. He sings only one song in Colorado, a rather anonymous ditty by Peter Tinturin, and the occasion, recovering from a gunshot wound, seems natural enough. It is still a very green Roy Rogers that appears in Colorado but producer-director Joseph Kane surrounded him with a host of well-known Western players, some of whom, including Fred Burns, Vester Pegg, and Hal Taliaferro, dated back to the silent era. The latter dies with his eyes open, usually a no-no that somehow escaped the otherwise so vigilant Production Code Administration. ~ Hans J. Wollstein, All Movie Guide
 

Young Bill Hickok
(not reviewed)
 

In Old Caliente
Despite more often than not being filmed mere miles away, you rarely get a glimpse of the Pacific Ocean in a western. By necessity, of course, since most oaters ostensibly take place in Texas or Arizona or Utah. But In Old Caliente is set in California and what is more Californian, old and new, than the surf? Still and all, the mere sight of Roy Rogers and Trigger chasing Frank La Rue into the waves at what today is known as Leo Carrillo State Beach is a little bizarre. That aside, In Old Caliente has typically good production values and a solid story. ~ Hans J. Wollstein, All Movie Guide
 

Rough Riders' Roundup
There is a rather incongruous moment 20 minutes or so into Rough Riders' Roundup where a jailed Roy Rogers serenades cell-mate Mary Hart (aka Lynne Roberts with "Here on the Range With You.") Neither Roy nor Miss Hart seem terribly worried about their predicament and, sure enough, manage to get out of jail in time to perform the round-up of the title. Typical of the laid-back attitude of this Western is the ending where Roy, instead of the obligatory kiss, merely receives a handshake from Hart for his efforts. Rough Riders' Roundup was filmed by Republic Pictures at the ghost town of Ryolite, NV, and remains a pleasant enough early Rogers series entry. ~ Hans J. Wollstein, All Movie Guide
 

Sheriff of Tombstone
(not reviewed)
 

The Lights of Old Santa Fe
Roy Rogers, Dale Evans and George "Gabby" Hayes made an unbeatable combination when it came to innocuous B-Western entertainment and they were perhaps never better than in this tuneful songfest, which also benefits from the comedy asides by oldtimers Claire DuBrey and Lloyd Corrigan; the smooth acting of villains Richard Powers (formerly Tom Keene) and Roy Barcroft; and the background vocals of Bob Nolan and The Sons of the Pioneers. Even the "Republic Dancing Girls," 12 chorus girls put under contract 1944-1945, join in the festivities, which are nicely balanced with a couple of fairly good chase sequences to satisfy the action fans. ~ Hans J. Wollstein, All Movie Guide
 

My Pal Trigger
Roy Rogers is among the most enduringly popular of Western movie stars, and My Pal Trigger is an excellent example of him at his gosh-darned most endearing. Seems like Roy (playing himself) wants to breed his mare with a champion stallion, but the owner (Gabby Hayes) won't agree. After a dastardly businessman (Jack Holt) interferes, the stallion is killed and Roy finds himself with a pregnant mare. Of course, Gabby has a pretty daughter (Dale Evans) and there's a big race to win, so Roy has lots of chances to act honorably and be a role model even if, for most of the picture, he is misunderstood by almost everyone. My Pal Trigger features bright, happy music, a fast-moving story line, and pleasant characters who are all lacking in moral ambiguity. It's a top-grade example of what a good B-movie of this type should be, with authentic cowboy Yakima Canutt contributing behind the camera. ~ Richard Gilliam, All Movie Guide
 

The Cowboy and the Senorita
Dale Evans' hair is dyed an unbecoming black to match the title song of The Cowboy and the Senorita, but apart from that minor adjustment, things are pretty much as you've come to expect of a Roy Rogers oater; Roy and Dale overcome a couple of complications and fall in love, sidekick Guinn "Big Boy" Williams is paired off with statuesque comedienne Dorothy Christy, teenage songstress Mary Lee is cute as a button, and John Hubbard is not to be trusted. There are no less than two dance numbers and Bob Nolan and the Sons of the Pioneers join in the fun for no apparent reason. Roy's clever horse Trigger is at the center of things as prescribed by his co-star billing. ~ Hans J. Wollstein, All Movie Guide
 

Bells of San Angelo
(not reviewed)
 
(no awards)

General Specifications:

Language Options:
Subtitle Options:
Sound Processing:DD2: Dolby Digital Stereo
Additional Features:
MPAA Rating:
DVD Discs Included:4
DVD Sides:4
DVD DVD Region Code:
Content Length:1188 min
 

DVD Chapters:

Disc #1 -- The Roy Rogers Collection
1. Chapter 1 [15:42]
2. Chapter 2 [12:16]
3. Chapter 3 [13:51]
4. Chapter 4 [13:44]
1. Chapter 1 [19:17]
2. Chapter 2 [19:55]
3. Chapter 3 [19:27]
4. Chapter 4 [19:57]
1. Chapter 1 [12:54]
2. Chapter 2 [12:48]
3. Chapter 3 [12:09]
4. Chapter 4 [15:11]
1. Chapter 1 [13:41]
2. Chapter 2 [12:12]
3. Chapter 3 [13:19]
4. Chapter 4 [13:50]
1. Chapter 1 [13:57]
2. Chapter 2 [13:28]
3. Chapter 3 [12:02]
4. Chapter 4 [13:31]
1. Chapter 1 [13:35]
2. Chapter 2 [13:58]
3. Chapter 3 [13:24]
4. Chapter 4 [12:13]
Disc #2 -- The Roy Rogers Collection
1. Chapter 1 [13:29]
2. Chapter 2 [11:37]
3. Chapter 3 [13:36]
4. Chapter 4 [14:36]
1. Chapter 1 [13:40]
2. Chapter 2 [13:12]
3. Chapter 3 [13:37]
4. Chapter 4 [12:54]
1. Chapter 1 [13:30]
2. Chapter 2 [12:20]
3. Chapter 3 [12:15]
4. Chapter 4 [15:14]
1. Chapter 1 [11:44]
2. Chapter 2 [13:48]
3. Chapter 3 [12:48]
4. Chapter 4 [13:03]
1. Chapter 1 [13:56]
2. Chapter 2 [11:43]
3. Chapter 3 [13:46]
4. Chapter 4 [13:34]
1. Chapter 1 [13:07]
2. Chapter 2 [12:58]
3. Chapter 3 [14:03]
4. Chapter 4 [13:07]
Disc #3 -- The Roy Rogers Collection
1. Chapter 1 [16:10]
2. Chapter 2 [14:06]
3. Chapter 3 [17:49]
4. Chapter 4 [15:43]
1. Chapter 1 [12:26]
2. Chapter 2 [12:37]
3. Chapter 3 [12:35]
4. Chapter 4 [14:50]
1. Chapter 1 [13:57]
2. Chapter 2 [11:08]
3. Chapter 3 [12:28]
4. Chapter 4 [15:24]
1. Chapter 1 [14:57]
2. Chapter 2 [11:17]
3. Chapter 3 [13:17]
4. Chapter 4 [13:33]
1. Chapter 1 [14:57]
2. Chapter 2 [13:02]
3. Chapter 3 [15:09]
4. Chapter 4 [13:40]
1. Chapter 1 [14:08]
2. Chapter 2 [12:58]
3. Chapter 3 [16:01]
4. Chapter 4 [12:56]
Disc #4 -- The Roy Rogers Collection
1. Chapter 1 [17:03]
2. Chapter 2 [19:23]
3. Chapter 3 [19:15]
4. Chapter 4 [19:36]
1. Chapter 1 [18:24]
2. Chapter 2 [17:26]
3. Chapter 3 [16:25]
4. Chapter 4 [19:58]


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