The Outlaw Josey WalesClint Eastwood's fifth film as a director and eighth Western as a star (ninth if you count Paint Your Wagon), The Outlaw Josey Wales chronicles the hero's violent journey westward after the Civil War. With fresh memoris of his family's slaughter by Red Leg soldier Terrill (
Bill McKinney), Confederate Josey Wales (
Eastwood) refuses to join his captain Fletcher (
John Vernon) and the rest of his comrades in surrender to a U.S. Army regiment. Deemed a dangerous outlaw after a bloody one-man battle with that regiment, Josey is pursued by U.S. cavalry soldiers led by the unwilling Fletcher and the murderous Terrill, as well as by bounty hunters who eventually learn how coolly lethal Wales can be. Despite his desire to remain a lone fugitive, Josey soon has a crew of travelling companions that includes Cherokee Lone Watie (
Chief Dan George) and the pretty Laura Lee (
Sondra Locke) and her vigorous Grandma Sarah (
Paula Trueman), settlers on their way to a ranch near ghost town Santa Rio. The few Santa Rio residents welcome the group, but their peace and Josey's burgeoning romance with Laura Lee are soon interrupted by Terrill's arrival. A skillfully violent man of few, well-chosen words, Josey Wales resembles
Eastwood's previous Western heroes in
Sergio Leone's trilogy, A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad, and the Ugly (1966). However, the emphasis on friends and family served notice that, in the words of one critic, "the Man With No Name doesn't live here anymore." Indeed,
Josey Wales would be
Eastwood's last western before 1985's Pale Rider. Although it did not garner similar critical praise when it was released,
Eastwood considers The Outlaw Josey Wales to be the equal of the Oscar-winning Unforgiven (1992). ~ Lucia Bozzola, All Movie Guide
Pale RiderA mysterious and possibly otherworldly stranger comes to the rescue of a frontier town in this Western, which was strongly influenced by the George Stevens classic, Shane. The peace of a small mining community is shattered when Coy LaHood (Richard Dysart), the ruthless proprietor of a powerful strip-mining company, arrives in town with his son Josh (Christopher Penn) and a posse of hired guns to drive out the townspeople and take control of the territory. Megan (Sydney Penny), a young girl whose pet was killed in the melee, prays to God for someone to defend the village from the marauders; soon, the Preacher (
Clint Eastwood) arrives on a pale horse, and joins forces with Hull Barrett (Michael Moriarty), the unofficial leader of the miners and one of the few who attempts to defend himself, to take a stand against LaHood and his men. As the Preacher and Barrett try to organize the miners to fight the invaders, both Megan and her mother Sarah (Carrie Snodgrass) find they're drawn to the Preacher, who keeps to himself and seems to have more than his share of secrets. Pale Rider was also directed by leading man
Clint Eastwood; it was his first Western as both director and star since the acclaimed The Outlaw Josey Wales. ~ Mark Deming, All Movie Guide
UnforgivenDedicated to his mentors
Sergio Leone and
Don Siegel,
Clint Eastwood's 1992 Oscar-winner examines the mythic violence of the Western, taking on the ghosts of his own star past. Disgusted by Sheriff "Little Bill" Daggett's decree that several ponies make up for a cowhand's slashing a whore's face, Big Whiskey prostitutes, led by fierce Strawberry Alice (
Frances Fisher), take justice into their own hands and put a $1000 bounty on the lives of the perpetrators. Notorious outlaw-turned-hog farmer William Munny (Eastwood) is sought out by neophyte gunslinger the Schofield Kid (
Jaimz Woolvett) to go with him to Big Whiskey and collect the bounty. While Munny insists, "I ain't like that no more," he needs the bounty money for his children, and the two men convince Munny's clean-living comrade Ned Logan (
Morgan Freeman) to join them in righting a wrong done to a woman. Little Bill (Oscar-winner
Gene Hackman), however, has no intention of letting any bounty hunters impinge on his iron-clad authority. When pompous gunman English Bob (
Richard Harris) arrives in Big Whiskey with pulp biographer W.W. Beauchamp (
Saul Rubinek) in tow, Little Bill beats Bob senseless and promises to tell Beauchamp the real story about violent frontier life and justice. But when Munny, the true unwritten legend, comes to town, everyone soon learns a harsh lesson about the price of vindictive bloodshed and the malleability of ideas like "justice." "I don't deserve this," pleads Little Bill. "Deserve's got nothin' to do with it," growls Munny, simultaneously summing up the insanity of western violence and the legacy of Eastwood's Man With No Name. ~ Lucia Bozzola, All Movie Guide