HookSteven Spielberg filters J. M. Barrie's Peter Pan through a distinctly 1990s sensibility in Hook. Peter Pan has become Peter Banning (
Robin Williams), a 40-year-old mergers and acquisitions lawyer with a permanent scowl on his face and a cellular phone in his belt. Banning has lost any memory of being Peter Pan, and he is also in danger of losing his wife Moira (
Caroline Goodall) and two children, Jack (
Charlie Korsmo) and Maggie (
Amber Scott). Peter and his family travel to London to visit Granny Wendy (
Maggie Smith) who recalls Peter's lost youth and asks him, "Peter, dear, don't you know who you are?" With Peter's children asleep in the same bedroom where the original Peter Pan story began, there is a blinding flash. Peter comes into the room to discover a note from Captain Hook (
Dustin Hoffman), informing Peter that he has kidnapped his children. Granny Wendy now tells him who he really is and encourages him to re-discover his happy thoughts, transform himself into the Peter Pan of the past, and go rescue his children. With the encouragement of Tinkerbell (
Julia Roberts), Peter recalls the birth of his son and once again takes wing. Then it's off to Never Land to rescue his kids. ~ Paul Brenner, All Movie Guide
Little WomenLouisa May Alcott's classic novel about a family of women in Civil War-era New England is again brought to the screen in this adaptation. The focus is on the March sisters, four young girls raised by their mother (
Susan Sarandon) after their father leaves for battle as part of the Union Army. At the center is Jo March (
Winona Ryder), an idiosyncratic would-be writer said to be based on
Alcott herself, but the film also focuses on the stories of her sisters -- the more conventional Meg (
Trini Alvarado), the innocent Beth (
Claire Danes), and the precocious Amy (
Kirsten Dunst and
Samantha Mathis, who represent Amy at different ages.) The film spans years, following the girls' struggles with life's challenges and illustrating how their family connection remains strong in the face of tragedies large and small. Australian director
Gillian Armstrong emphasizes the story's feminist elements, particularly in Jo's journey to independence. ~ Judd Blaise, All Movie Guide