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Airport Terminal Pack [2 Discs] DVD Movie

Airport Terminal Pack [2 Discs] DVD


2.35:1: Cinemascope
1.85:1: Theatre Wide-Screen

PN: 025192422928IE     Release: 02/08/2005
Starring: Burt Lancaster, Charlton Heston, Jack Lemmon, Alain Delon
Director(s): David Lowell Rich
Price:$14.99 

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Airport
Airport had enough plot and enough star power in its cast for three feature films, and it only encompassed about half of the complexity or characters found in Arthur Hailey's best-selling potboiler. Essentially built around 12 harrowing hours at a major Midwestern airport, the film had everything an audience of the period could have wanted -- suspense, omance, drama, and comedy -- all spread across a vast canvas. Mel Bakersfeld (Burt Lancaster) is the manager of Lincoln Airport, facing a night beset by the worst blizzard in a decade, a wife (Dana Wynter) who announces she wants a divorce, a primary runway blocked by an airliner stuck in a snowdrift, and a governing board ready to fire him. Bakersfeld's cynical, smooth-talking brother-in-law, Vernon Demerest (Dean Martin), won't let up on his criticism of the management at Lincoln, but he has his own problems as well, mostly in the form of a young stewardess, Gwen Meighen (Jacqueline Bisset), who is pregnant by him and whom he finds he genuinely loves. Add to that the presence of an old lady stowaway (Helen Hayes) and a mentally disturbed passenger (Van Heflin) carrying a bomb, and there's more than enough plot to keep viewers engrossed for two hours plus. Airport became one of the top-grossing movies of its era, racking up seven-digit box-office numbers and spawning an entire film genre -- the disaster movie. With Jean Seberg, George Kennedy, Lloyd Nolan, Barry Nelson, and Maureen Stapleton filling out the rest of the leading roles, there was something for almost everyone in this film. The movie still has a lot to offer if only as a prime example of Hollywood at its most successfully glitzy, but, if possible, viewers should try and see the letterboxed version of Airport on DVD (released May 2001). ~ Bruce Eder, All Movie Guide

Airport 1975
In the wake of the 45-million-dollar gross of the original Airport (1970), Universal was all but required by an act of Congress to produce Airport '75. Charlton Heston heads the all-star cast as Alan Murdock, the former test pilot who must keep a disabled 747 from crashing in flames. The crisis begins when a businessman (Dana Andrews), flying his small private plane, suffers a fatal heart attack and the plane smashes into the cockpit of the 747. Following Murdock's radioed instructions, stewardess Nancy Pryor (Karen Black) takes over the controls. The special-guest passenger lineup includes Helen Reddy as a singing nun (a character wickedly satirized in the 1980 parody Airplane!), Myrna Loy as an alcoholic, and Sid Caesar as a garrulous passenger. While Airport '75 yielded only 25 million dollars at the box office, the franchise continued, spawning Airport '77 a few years later and Airport '79 two years after that. ~ Hal Erickson, All Movie Guide

Airport '77
Stretching the Airport concept as far as it will go, this third film in the series sticks a jet full of old actors 50 feet underwater in the Bermuda Triangle. Oxygen (and credibility) grows short, and Jimmy Stewart plays an art collector targeted for a heist. Jack Lemmon is the unfortunate pilot, and Christopher Lee shows up along with Brenda Vaccaro, Joseph Cotten, and Olivia de Havilland. Jerry Jameson, auteur of The Bat People, was selected to helm this entry featuring that film's star, Michael Pataki. George Kennedy, the only man to appear in all four Airport films, is along for the ride as well. ~ Robert Firsching, All Movie Guide

Airport '79: Concorde
The fourth Airport film may be the silliest of them all, as George Kennedy returns, this time co-piloting with Alain Delon. The plane is on its way to the Moscow Olympics, has a bomb on board, and gets fired upon with missiles that necessitate flying upside-down. A look at the cast list resembles a bad episode of Fantasy Island, but it's always fun to see shameless touches like casting Mercedes McCambridge (Johnny Guitar) as the coach of the Soviet team. If you don't understand the significance of that choice, you may find this film more tedious than laughable, but fans of bad movies will have a field day, as Jimmie Walker, Charo, and -- oddly enough -- Bibi Andersson rub shoulders with high-altitude disaster. ~ Robert Firsching, All Movie Guide

Cast
Burt Lancaster as Mel Bakersfeld
Dean Martin as Vernon Demerest
Jean Seberg as Tanya Livingston
Jacqueline Bisset as Gwen Meighen
George Kennedy as Patroni
Helen Hayes as Ada Quonsett
Van Heflin as D.O. Guerrero
Maureen Stapleton as Inez Guerrero
Barry Nelson as Lt. Anson Harris
Dana Wynter as Cindy
Lloyd Nolan as Harry Standish
Barbara Hale as Sarah
John Findlater as Peter Coakley
Jesse Royce Landis as Mrs. Harriet DuBarry Mossman
Larry Gates as Commissioner Ackerman
Peter Turgeon as Marcus Rathbone
Whit Bissell as Mr. Davidson
Virginia Grey as Mrs. Schultz
Eileen Wesson as Judy
Paul Picerni as Dr. Compagno
Robert Patten as Capt. Benson
Clark Howat as Bert Weatherby
Lew Brown as Reynolds
Jim Nolan as Father Lonigan
Patty Poulsen as Joan
Ena Hartman as Ruth
Milila St. Duval as
Sharon Harvey as Sally
Albert Reed as Lt. Ned Ordway
Nancy Ann Nelson as Bunnie
Dick Winslow as Mr. Schultz
Lou Wagner as Schuyler Schultz
Janis Hansen as Sister Katherine Grace
Mary Jackson as Sister Felice
Shelly Novack as Rollings
Chuck Daniel as Parks
Charles Brewer as Diller
Charlton Heston as Alan Murdock
Karen Black as Chief Stewardess Nancy Pryor
George Kennedy as Joseph Patroni
Efrem Zimbalist, Jr. as Pilot Stacy
Susan Clark as Mrs. Patroni
Gloria Swanson as Herself
Jack Lemmon as Don Gallagher
Lee Grant as Karen Wallace
Brenda Vaccaro as Eve Clayton
Joseph Cotten as Nicholas St. Downs, III
Olivia de Havilland as Emily Livingston
Darren McGavin as Stan Buchek
Christopher Lee as Martin Wallace
Robert Foxworth as Chambers
Robert Hooks as Eddie
George Kennedy as Joe Patroni
James Stewart as Philip Stevens
Monte Markham as Banker
Kathleen Quinlan as Julie
Gil Gerard as Frank Powers
James Booth as Ralph Crawford
Monica Lewis as Anne
Maide Norman as Dorothy
Pamela Bellwood as Lisa
Arlene Golonka as Mrs. Jane Stern
Tom Sullivan as Steve
M. Emmet Walsh as Dr. Williams
Michael Richardson as Walker
Michael Pataki as Wilson
George Furth as Gerald Lucas
Alain Delon as Capt. Paul Metrand
Susan Blakely as Maggie Whelan
Robert Wagner as Kevin Harrison
Sylvia Kristel as Isabelle
George Kennedy as Capt. Joe Patroni
Eddie Albert as Eli
Bibi Andersson as Francine
Charo as Margarita
John Davidson as Robert Palmer
Andrea Marcovicci as Alicia
Martha Raye as Loretta
Cicely Tyson as Elaine
Jimmie "J.J." Walker as Boise
David Warner as O'Neill
Mercedes McCambridge as Nelli
Avery Schreiber as Coach Markov
Sybil Danning as Amy
Monica Lewis as Gretchen
Nicolas Coster as Dr. Stone
Robin Gammell as William Halpern
Jon Cedar as Froelich
Crew
Burton Miller - Costume Designer
Newt Arnold - First Assistant Director
David Lowell Rich - Director
Dorothy Spencer - Editor
Lalo Schifrin - Composer (Music Score)
Henry Bumstead - Production Designer
Philip H. Lathrop - Cinematographer
Jennings Lang - Producer
Mary Ann Biddle - Set Designer
Mickey Michaels - Set Designer
Abe Milrad - Special Effects
Universal Hartland - Special Effects
James R. Alexander - Sound/Sound Designer
George Sawava - Stunts
George Sawava - Stunts Coordinator
Eric Roth - Screenwriter
Jennings Lang - Screenwriter
Burton Miller - Costume Designer
Newt Arnold - First Assistant Director
David Lowell Rich - Director
Dorothy Spencer - Editor
Lalo Schifrin - Composer (Music Score)
Henry Bumstead - Production Designer
Philip H. Lathrop - Cinematographer
Jennings Lang - Producer
Mary Ann Biddle - Set Designer
Mickey Michaels - Set Designer
Abe Milrad - Special Effects
Universal Hartland - Special Effects
James R. Alexander - Sound/Sound Designer
George Sawava - Stunts
George Sawava - Stunts Coordinator
Eric Roth - Screenwriter
Jennings Lang - Screenwriter
Burton Miller - Costume Designer
Newt Arnold - First Assistant Director
David Lowell Rich - Director
Dorothy Spencer - Editor
Lalo Schifrin - Composer (Music Score)
Henry Bumstead - Production Designer
Philip H. Lathrop - Cinematographer
Jennings Lang - Producer
Mary Ann Biddle - Set Designer
Mickey Michaels - Set Designer
Abe Milrad - Special Effects
Universal Hartland - Special Effects
James R. Alexander - Sound/Sound Designer
George Sawava - Stunts
George Sawava - Stunts Coordinator
Eric Roth - Screenwriter
Jennings Lang - Screenwriter
Burton Miller - Costume Designer
Newt Arnold - First Assistant Director
David Lowell Rich - Director
Dorothy Spencer - Editor
Lalo Schifrin - Composer (Music Score)
Henry Bumstead - Production Designer
Philip H. Lathrop - Cinematographer
Jennings Lang - Producer
Mary Ann Biddle - Set Designer
Mickey Michaels - Set Designer
Abe Milrad - Special Effects
Universal Hartland - Special Effects
James R. Alexander - Sound/Sound Designer
George Sawava - Stunts
George Sawava - Stunts Coordinator
Eric Roth - Screenwriter
Jennings Lang - Screenwriter

Airport
Airport was widely lambasted by critics for its tried-and-true technique of showcasing a raft of Grand Hotel-style big-name box-office stars in a melodramatic hriller; Judith Crist called it "the best film of 1944." But no one could argue with its success or its influence. Director/screenwriter George Seaton displayed a masterful old hand's touch for showcasing stock characters in a soap opera format, adapting Arthur Hailey's blockbuster novel with Dean Martin as the pilot and a cast top-heavy with stars. Airport won huge audiences and six Oscar nominations, including Best Picture, with veteran Helen Hayes, one of the first Oscar winners in 1932, winning a supporting award. The crowd-pleasing behemoth spawned almost a decade's worth of big-budget disaster films, including three inferior sequels, and then another round of disaster spoofs, beginning with 1980's Airplane! ~ Michael Betzold, All Movie Guide
 

Airport 1975
Jack Smight's Airport 1975 was four years and a whole Hollywood world away from George Seaton's Airport. Gone were the likes of Burt Lancaster, Dean Martin, Van Heflin, Lloyd Nolan, Dana Wynter, Helen Hayes, et al., and, on the production end, Alfred Newman, Edith Head, Ernest Laszlo, Preston Ames. In their places were a more ragged, and even downright silly, cast (halfway toward the parody of Airplane!), and a threadbare-looking production -- at least by the standards of a feature film. Indeed, Airport 1975 seems like a hybrid, somewhere between a made-for-TV movie and a theatrical feature. It's shot in Panavision, but offers a John Cacavas score that sounds like a dry run for the music he wrote for Kojak. The opening credits also have a cheap, flat look about them, with minimal style to their design or care in their editing or structure, whereas Airport's opening credits were exciting, as well as a study in slick editing. Even the lack of crowds and extras make the sequel look more like something out of a movie-of-the-week. Once the movie actually gets going, it looks a little better, though the screen is filled with names that would mainly be associated with television in the years to come, including Erik Estrada, Norman Fell, Conrad Janis, Efrem Zimbalist Jr., Sid Caesar, Ed Nelson, Beverly Garland, Christopher Norris, and Jerry Stiller, interspersed with such real movie veterans asMyrna Loy (trying to be this film's Helen Hayes) and Gloria Swanson, plus one former star (Dana Andrews) on his last legs. Add to all that one star treading water in his career (Charlton Heston); another collecting his biggest paychecks and on his way to the biggest billing of his career (George Kennedy); one pop singer (Helen Reddy) doing one of the most wretchedly miserable acting turns ever attempted by a vocalist; Linda Blair turning in a performance so frighteningly bad that she makes her role in The Exorcist look benign; and one genuinely talented actress (Karen Black) trapped in the middle of this mess, and you've got the makings for a real train-wreck of a movie. That's what happened on subsequent entries in the series, but what averts the same outcome here is the presence of a suspenseful plot supported by excellent special effects and aerial photography (which can only be appreciated seeing the film letterboxed) and the fact that the three stars and the lesser-known supporting players (such as Alan Fudge and John Lupton) perform well enough so that the movie leaps over the seemingly impossible chasm of its schlocky casting and production and a script so bad that it even has Sid Caesar's character making light of the drinking problem that blighted his life. Needless to say, this was not a movie that producer Jennings Lang was going to be proud of. Like Jaws 2, Jaws 3, etc. from the same studio, it was made to generate easy money for Universal. Interestingly enough, there is one supremely ironic moment early in the film that should have shown anyone involved just how far removed they were from producing anything of real cinematic value. The in-flight movie is George Lucas' American Graffiti, which showed a level of invention and a loose, free-flowing approach to cinematic storytelling that makes this movie seem all the poorer. Indeed, American Graffiti has rated a serious Special Edition DVD from Universal, whereas no one would ever seriously propose a such a release of Airport 1975. ~ Bruce Eder, All Movie Guide
 

Airport '77
(not reviewed)
 

Airport '79: Concorde
This movie represented the point in the Airport films from Universal at which they directly anticipated Jim Abrahams' Airplane! (1980) in look, execution, and content, and almost mapped out Abrahams' and the Zucker brothers' formula for the successful parodies. Indeed, the shots of the Concorde flying upside down and doing loops and rolls, with appropriate interior scenes depicting the havoc among the passengers, are almost indistinguishable from similar scenes in the Abrahams film and its sequel. Gone is any attempt at recalling the Hollywood glamor or glitziness of the original Airport; the whole movie -- except for one assassination scene early in the picture -- was instead marked by a made-for-television blandness and populated by B- and C-list non-celebrities, late-'70s pop-culture faces (Charo, Jimmie Walker, etc.), spiced with some old-time Hollywood faces (including Martha Raye in a very tiresome gag appearance), two good actors (Eddie Albert, Bibi Andersson) actually trying to earn their paychecks amid this silliness, and the rest, including George Kennedy, walking through their roles. One could even question whether this movie belongs in the continuity with the other films in the series, since the Joe Patroni character portrayed here by Kennedy seems to have a completely different professional background from the character of that name that he played in Airport. One also wonders on what basis director David Lowell Rich was selected to direct this film -- could it have been the memory of his debut feature, the Three Stooges' Have Rocket, Will Travel (1959)? The scenes of the actors experiencing the havoc of upside-down flight and other aspects of aerial acrobatics (any of which would have ripped the real Concorde in two) are similar, and it takes a certain knack to get serious actors (as he did with Jerome Cowan et al. in the earlier movie) to engage in nonsense like this without cracking up. As a guide to American popular culture and social attitudes of the period, however, Airport '79: Concorde may also have taken on some unintended value in the decades since its release. The original Airport and its immediate sequel, made nine and five years earlier, respectively, showed an old-time moralizing and moralistic outlook in behavior and taste, both within the context of the action and the broader range of the movies' own orientations; Airport '79: Concorde is so free with its images of people having casual sex and talking about sex (all of this in the pre-AIDS era, almost a last gasp of the sexual revolution), and also casual drug use and other decadent activities, that it seems to emanate from a completely different society, or at least reflect an audience that had changed vastly in what it considered "entertainment" in those nine years. And the choice of Mercedes McCambridge as the coach of the Soviet women's gymnastics team is so knowing a piece of casting that it leads one to suspect that the makers of this movie knew, down to the last frame, exactly how much fun they were having with this last gasp in the series concept. ~ Bruce Eder, All Movie Guide
 
Disc Title: Airport - People Awards:
Alexander Golitzen: Academy, Best Art Direction (winner)
Alfred Newman: Academy, Best Original Score (nominated)
Alfred Newman: Golden Globe, Best Original Score (nominated)
David Moriarty: Academy, Best Sound (nominated)
Edith Head: Academy, Best Costume Design (nominated)
Ernest Laszlo: Academy, Best Cinematography (nominated)
George Kennedy: Golden Globe, Best Supporting Actor (nominated)
George Seaton: Academy, Best Adapted Screenplay (nominated)
Helen Hayes: Academy, Best Supporting Actress (winner)
Jack D. Moore: Academy, Best Art Direction (winner)
Maureen Stapleton: Academy, Best Supporting Actress (nominated)
Maureen Stapleton: Golden Globe, Best Supporting Actress (winner)
Mickey Michaels: Academy, Best Art Direction (winner)
Preston Ames: Academy, Best Art Direction (winner)
Ronald Pierce: Academy, Best Sound (nominated)
Stuart Gilmore: Academy, Best Editing (nominated)

 
Airport - Film Awards:
Academy, Best Picture (nominated)
Golden Globe, Best Picture - Drama (nominated)

 
Disc Title: Airport 1975 - People Awards:
Helen Reddy: Golden Globe, New Star of the Year - Female (nominated)

 
Disc Title: Airport '77 - People Awards:
Burton Miller: Academy, Best Costume Design (nominated)
Edith Head: Academy, Best Costume Design (nominated)
George C. Webb: Academy, Best Art Direction (nominated)
Mickey Michaels: Academy, Best Art Direction (nominated)

 

General Specifications:

Language Options:English
Subtitle Options:English, Spanish, French
Sound Processing:DD5.1: Dolby Digital w/ sub-woofer channel
2: PCM stereo
DTS: Digital Theater Systems (akin to 5.1)
Additional Features:Original trailers Production notes
DVD Aspect Ratio:2.35:1: Cinemascope
1.85:1: Theatre Wide-Screen
MPAA Rating:
DVD Discs Included:2
DVD Sides:4
DVD DVD Region Code:1
Content Length:472 min
Part of Series:Franchise Collection
 

DVD Chapters:


Side #1 -- Airport
1. Emergency
2. Disaster Insurance
3. Fringe Benefits
4. Stowaway
5. For Better or for Worse
6. Don't Worry
7. Extra Passenger
8. Full Throttle
9. We're Leaving
10. Check and Report
11. Someone Else
12. Extreme Caution
13. It's Goodbye
14. Mayday
15. Structural Damage
16. Mobile One
17. Shut Down
18. Welcome Home

Side #2 -- Airport 1975
1. Main Titles
2. Passengers of Flight 409
3. Welcome Aboard
4. Help Him Untie
5. In-Flight Entertainment
6. Hands On
7. Alternate Heading
8. Impact!
9. The Stewardess Is Flying
10. Big Problem
11. Lost Contact
12. Here Comes TV
13. The Radio's Dead
14. We're Too Low
15. Transfer Attempt
16. On Our Way Down
17. Back on the Ground
18. End Titles

Side #3 -- Airport '77
1. Prototype Aircraft (Main Titles)
2. Priceless Cargo
3. Preflight Preparations
4. Cleared for Takeoff
5. Right on Schedule
6. Skyjackers Take Over
7. Into the Bermuda Triangle
8. Unexpected Obstacle
9. Keep It Together
10. "We're on Our Own!"
11. Drown or Sufficate?
12. Opening the Gates of Hell
13. Activate Emergency Beeper
14. Scramble Rescue Units
15. Underwater Pilot
16. Going to Chance It
17. Increase Pressure
18. End Titles

Side #4 -- The Concorde: Airport '79
1. Close Call (Main Titles)
2. The Buzzard
3. Terrorists and Assassins
4. Reprogram the Drone
5. A Beautiful Lady
6. Evidence Delivered
7. See You in Paris
8. Launch Attack Drone
9. Fasten Your Seat Belts
10. Scramble Jet Fighters
11. No Brakes!
12. It's Over
13. Sabotage
14. Stop That Man!
15. Gremlins
16. Explosive Decompression
17. Threading the Needle
18. End Titles

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