Essential John Wayne [8 Discs] DVD

Angel and the Badman
One of John Wayne's most mystical films, Angel and the Badman is also the first production that Wayne personally produced. The star plays a wounded outlaw who is sheltered by a Quaker family. Attracted to the family's angelic daughter Gail Russell, the hard-bitten Wayne undergoes a slow and subtle character transformation; still, he is obsessed with killing the man (Bruce Cabot) who murdered his foster father. The storyline traces not only the regeneration of Wayne, but of the single-minded sheriff (Harry Carey) who'd previously been determined to bring Wayne to justice. Not a big hit in 1947, Angel and the Badman has since become the most frequently telecast of John Wayne's Republic films, thanks to its lapse into Public Domain status in 1974. ~ Hal Erickson, All Movie Guide

The Star Packer
Definitely the most expensive-looking of John Wayne's "Lone Star" westerns, The Star Packer casts "the Duke" as U.S. marshal John Travers. Hoping to flush out a mysterious outlaw chieftain known only as "The Shadow," Travers becomes sheriff of a town where several unsolved murders have occurred. Accompanied by his Indian pal Yak (Yakima Canutt), our hero explores a tunnel leading from the sheriff's office to the outlaws' cave hideout. He manages to ascertain the identity of The Shadow, but first he must rescue heroine Anita (Verna Hillie) from the villain's clutches. As much a horror melodrama as a straightforward western, The Star Packer benefits from the casting of Lone Star "regulars" George (Gabby) Hayes and Yakima Canutt in highly uncharacteristic roles. ~ Hal Erickson, All Movie Guide

Blue Steel
John Wayne once again goes undercover to catch a wanted outlaw in this average entry in his 1934-1935 Western series for Monogram Pictures. Wayne plays John Carruthers, a U.S. marshal, and his quarry is the Polka Dot Bandit, aka Danti (Yakima Canutt), who has taken off with a 4,000-dollar pay roll. As John soon learns, Danti is in the employ of Malgrove (Edward Peil Sr.), a supposedly upstanding citizen who is secretly trying to starve the good people of Yucca City. Unbeknownst to the townsfolk, a valuable ore runs right through the area and Malgrove is plotting to buy the land on the cheap. Blue Steel was produced at Hollywood's General Service Studios with exteriors filmed at Big Pine, CA. ~ Hans J. Wollstein, All Movie Guide

The Lucky Texan
The third entry in John Wayne's superior Lone Star series for producer Paul Malvern, The Lucky Texan features Wayne as Jerry Mason, a young college graduate who, along with old family friend Jake Benson (George Hayes), locates a secret gold field. Returning to town with their gold, the two friends make the mistake of trusting the local assayer (Lloyd Whitlock) and his equally crooked partner (Yakima Canutt). The villains take a shot at Jake and, believing they killed the old coot, blame young Jerry for the "murder." At his trial, Jerry is delighted to discover his "victim" among the spectators, dressed in a costume formerly used in a local presentation of Charley's Aunt. Usually playing villains in the Lone Star Westerns, George Hayes got an opportunity to practice his later popular Gabby character in this entry. The Lucky Texan also featured several fine examples of director Robert North Bradbury's famous "swish-pan" method, in which characters are brought from one place to another as the camera sweeps over the landscape in a blur. As always, Yakima Canutt doubled both Wayne, Hayes, and several of the villains. In fact, Canutt got to virtually chase himself in a gasoline-powered handcar in the film's exciting finale. In addition to Wayne, Hayes, Canutt, and Whitlock, the Malvern stock company players did their usual fine work, including Earl Dwire as an elderly sheriff, stunt man Ed Parker as the sheriff's crooked son, and Gordon de Main as the local banker. ~ Hans J. Wollstein, All Movie Guide

The Desert Trail
John Wayne's easy-going charm truly began to manifest itself in this, one of his later "Lone Star" Westerns for Monogram. Falsely accused of killing the paymaster (Henry Hall) of the Rattlesnake Gulch rodeo, John Scott (Wayne) and his girl-chasing partner Kansas Charlie (Eddy Chandler) trail the real killer, Pete (Al Ferguson), and his unwilling underling Jim (Paul Fix) to Poker City. Jim wants to go straight, but Pete blackmails him into robbing the stagecoach. John and Kansas, who are known in town as Jones and the Reverend Smith, are once again accused of the crime, but Jim helps them escape from jail. When the young bandit refuses to commit bank robbery, Pete shoots him in cold blood. The villain is caught by John and Kansas, whom Jim has cleared of all crimes on his deathbed. Besides one of Wayne's better early performances, The Desert Trail -- whose title bears no close scrutiny -- also benefitted from the presence of Frank Capra-regular Eddy Chandler, a rotund comic actor whose sparring here with Wayne is first-rate all the way. Paul Fix is equally good as the outlaw with a conscience and Mary Kornman, of Our Gang fame, is tolerable as the obligatory heroine. The Desert Trail was directed with easy assurance by the veteran Lewis D. Collins, who for some reason billed himself "Cullin Lewis." ~ Hans J. Wollstein, All Movie Guide

McLintock!
George Washington McLintock (John Wayne) has a saddlebag full of trouble. The owner of the largest ranch in the territory, which also includes a mine and a lumber mill that he built up himself, should be a happy, fulfilled man, but he isn't. His wife, Katherine (Maureen O'Hara), walked out on him two years ago without a word of explanation and has been living back east and running in very fancy circles. He's getting older, a fact of which he's constantly reminded as friends around him decline in health. He's being challenged by their sons, eager to make their mark on the territory, and by the homesteaders who are pouring in with the support of the government, hoping to farm on land that's just barely adequate for cattle to graze on; he's got government officials underfoot, including an inept Indian agent (Strother Martin) and a corrupt land agent (Gordon Jones); the thick-headed, longwinded territorial governor, the honorable Cuthbert H. Humphrey (Robert Lowery), and the government back east are trying to push the Indians -- whose chiefs are some of McLintock's oldest enemies and his best and most honored friends -- by shipping them off to a reservation, where they'll be cared for like old women; and to top it all off, Katherine is coming back to secure a divorce and take custody of their 17-year-old daughter, Rebecca (Stefanie Powers), who's been at school back east and no longer likes anything to do with the West, any more than her mother does. All of that -- plus the presence of a young hired hand (Patrick Wayne) who's interested romantically in McLintock's daughter -- is the setup for a sprawling comedy Western with serious overtones, part battle-of-the-sexes and part political tract. McLintock! was made mostly to keep John Wayne's production company solvent in the wake of the losses incurred from the production of The Alamo. Wayne needed a film that could be made quickly and have mass appeal, and he got more than he bargained for in James Edward Grant's screenplay, which owed a little to both The Taming of the Shrew and The Quiet Man. Shot in the spring of 1963 and premiered in late November of that year, McLintock! proved to be one of the star's most popular and successful films of the '60s. It was a prized possession of the Wayne estate and was held unavailable for all of the '80s and beyond until they missed the copyright renewal in 1991 -- after that, it emerged in numerous substandard videocassette and DVD editions. There was an authorized VHS edition from MPI in the early '90s, and there were legitimate showings on WTBS, but until 2005 there was no decent quality DVD version. Late that year, Paramount Home Video, working under license from the Wayne estate, released a beautiful letterboxed DVD edition loaded up with extras. ~ Bruce Eder, All Movie Guide

The Dawn Rider
An average entry in the otherwise above-average Monogram/"Lone Star" Western series starring John Wayne, this film is noteworthy for containing one of the last screen appearances of Joseph De Grasse, a major silent screen actor-director, who -- with his screenwriter wife Ida May Park -- created scores of well-received Universal melodramas in the 1910s. De Grasse appears all too briefly here as Wayne's father, murdered during a robbery of his express office. Wayne, playing John Mason, chases after the killer, an outlaw whose face is hidden behind a polka dot neckerchief. Mason is injured during the chase and brought to the home of Alice Gordon (Marion Burns) by newfound friend Ben McClure (Reed Howes). Nursed back to health by Alice, with whom he is falling in love, Mason sets a trap for the killer and his gang by announcing that he is guarding a valuable gold shipment. The killer is revealed to be Rudd, Alice's brother (Dennis Moore, here billed "Denny Meadow"), whom John challenges to a duel. Feeling betrayed by Mason's love for Alice, Ben secretly substitutes the bullets in his former friend's gun with blanks. Persuaded by Alice that John has done nothing untoward, a repentant Ben arrives just in time to save his friend from certain death but is himself felled by a bullet fired by villainous barkeep Yakima Canutt in a final, well-staged, shootout. What there is of comic relief in this rather dour Western is provided by gangly Nelson McDowell, an actor seemingly born to portray comic undertakers, which is exactly what he plays here. ~ Hans J. Wollstein, All Movie Guide

Texas Terror
With a 45-minute running time, or thereabouts, Texas Terror was John Wayne's shortest Lone Star/Monogram Western and far from his best. Believing has accidentally killed his best friend (Frank Ball), the sheriff (Wayne) hands over his badge to George "Gabby" Hayes and retreats to the high country. En route to take over her murdered father's ranch, Beth Matthews (Lucille Browne) is witness to a stage robbery (a typical modern Western, the "stage" in Texas Terror is a Ford T touring car). An unshaven, dirty-looking Wayne comes to her rescue, but she thinks he is part of the gang. Vaguely recognizing his voice but nothing else, Beth later hires the now cleaned-up former sheriff as her new foreman and they quickly fall in love. But during a dance, Joe Dickson (LeRoy Mason), the incognito leader of the stage robbers, informs the girl that Wayne is the man thought to have killed her father. Wayne soon learns of Dickson's own culpability in the killing and summons an entire tribe of Indians to help capture him. The typical Hollywood Indians in this film all speak in broken English, Chief Black Eagle actually saying "Ugh!" on one occasion, an incongruous moment in a Western where the heroine arrives in an automobile. Intentional comedy relief is provided by Fern Emmett, a sort of poor man's Margaret Hamilton, and veteran slapstick comedian Jack Duffy, both of whom engage in a supposedly hilarious milking contest. The climactic chase sequence is rather heavily padded with stock footage from the silent era and Yakima Canutt is spotted quite clearly doubling for Wayne. As always, veteran director Robert North Bradbury has a great eye for composition (the film seems to have been shot on locations in the Sierras), but his handling of actors leaves much to be desired. Tight-lipped LeRoy Mason delivers Texas Terror's only solid performance as the villain. ~ Hans J. Wollstein, All Movie Guide

Riders of Destiny
In the first of his 16 Westerns for Monogram, John Wayne plays Singin' Sandy Saunders, a drifter who witnesses what he at first believes to be a stage robbery. In reality, the "road agent" is a girl, Fay Denton (Cecilia Parker), and she is "stealing" her own money in order to prevent a phony stage holdup further down the road. As Fay's father, Charlie "Dad" Denton (George Hayes), explains, the culprit behind a rash of pretend stage holdups committed by two bumbling drivers (Al St. John and Heinie Conklin) is James Kincaid (Forrest Taylor), who is also forcing the local farmers off their lands by demanding an outrageous price for his water. When Sandy appears on the horizon, Kincaid engages a notorious gunman, Slip Morgan (Earl Dwire), but Sandy disarms the bandit for good by shooting him through both wrists. Much to Fay's disgust, Kincaid quickly hires the newcomer, now known as "the most notorious outlaw since Billy the Kid," and Saunders suggests that they dynamite Dad Denton's well, the only other available source of water in the area. It is all a ruse, of course, and Sandy soon reveals himself to be a government agent in disguise. ~ Hans J. Wollstein, All Movie Guide

West of the Divide
Assigned to write and direct the John Wayne western West of the Divide, Robert N. Bradbury dug out the plotline he'd used so often and to such good effect in his son Bob Steele's vehicles. Wayne plays frontiersman Ted Hayden, who spends most of the picture searching for the man who killed his parents. Along the way, he "tames" spoiled heroine Fay Winter (Virginia Brown Faire) and rediscovers his long-lost brother Spud (Billy O'Brien). John Wayne's fistfights with chief heavy Yakima Canutt aren't in the same league as his later Canutt-supervised stunt sequences, but they're pretty good by their own standards. West of the Divide was the fourth entry in Wayne's "Lone Star" series. ~ Hal Erickson, All Movie Guide

Cast Joan Barton as Lila Neal John Wayne as Quirt Evans Gail Russell as Penelope Worth Harry Carey as Marshal Wistful McClintock Bruce Cabot as Laredo Stevens Stephen Grant as Johnny Worth Irene Rich as Mrs. Worth Paul Hurst as Frederick Carson John Halloran as Thomas Worth Lee Dixon as Randy McCall Olin Howland as Bradley Tom Powers as Dr. Mangrum Marshall Reed as Nelson Craig Woods as Ward Withers John Wayne as U.S. Marshall John Travers Verna Hillie as Anita Matlock George "Gabby" Hayes as Matt Matlock/"The Shadow" Yakima Canutt as Yak Earl Dwire as Mason George Cleveland as Old Jake Tom Lingham as Sheriff Davis David Aldrich as Boy John Wayne as John Carruthers Eleanor Hunt as Betty Mason George "Gabby" Hayes as Sheriff Jake Yakima Canutt as Danti, The Polka Dot Bandit Edward Peil Sr. as Melgrove George Cleveland as Hank, The Innkeeper John Wayne as Jerry Mason Barbara Sheldon as Betty George "Gabby" Hayes as Jake Benson Lloyd Whitlock as Yakima Canutt as Cole Gordon de Main as Sheriff Earl Dwire as Banker John Wayne as John Scott Mary Kornman as Anne Paul Fix as Jim Eddy Chandler as Kansas Charlie Carmen La Roux as Juanita Lafe [Lafayette] McKee as Sheriff Barker Al Ferguson as Pete Henry Hall as Banker John Wayne as George Washington McLintock Maureen O'Hara as Katherine McLintock Yvonne De Carlo as Louise Warren Patrick Wayne as Devlin Warren Stefanie Powers as Becky McLintock Jack Kruschen as Jake Birnbaum Chill Wills as Drago Jerry Van Dyke as Matt Douglas, Jr. Edgar Buchanan as Bunny Dull Bruce Cabot as Ben Sage Perry Lopez as Davey Elk Michael Pate as Puma Strother Martin as Agard Gordon Jones as Matt Douglas Robert Lowery as Governor Cuthbert H. Humphrey H.W. Gim as Ching Aissa Wayne as Alice Warren Chuck Roberson as Sheriff Lord Hal Needham as Carter Pedro Gonzales as Carlos Hank Worden as Curly Butler Leo Gordon as Jones Ralph Volkie as Oldtimer in saloon Danny Borzage as Loafer John Stanley as Running Buffalo Mari Blanchard as Camille John Wayne as John Mason Marion Burns as Alice Yakima Canutt as Barkeep Reed Howes as Ben Denny Meadows as Rudd Bert Dillard as Buck Jack Jones as Black John Wayne as John Higgins Lucille Brown as Beth Matthews LeRoy Mason as Joe Dickson Bert Dillard as Red Lloyd Ingraham as Dan John Wayne as Singin' Sandy Saunders Cecilia Parker as Fay Denton George "Gabby" Hayes as Sheriff Denton Forrest Taylor as Kincaid Al St. John as Bert Earl Dwire as Slip Morman Lafe [Lafayette] McKee as Sheriff Hal Price as townsman Si Jenks as Pa John Wayne as Ted Hayden Virginia Brown Faire as Fay Winters Lloyd Whitlock as Gentry George "Gabby" Hayes as Dusty Rhodes Yakima Canutt as Hank Billy O'Brien as Spud

Crew Robert North Bradbury - Director Carl Pierson - Editor Louis Clyde Stoumen - Cinematographer Paul Malvern - Producer Robert North Bradbury - Screenwriter Robert North Bradbury - Director Carl Pierson - Editor Louis Clyde Stoumen - Cinematographer Paul Malvern - Producer Robert North Bradbury - Screenwriter Robert North Bradbury - Director Carl Pierson - Editor Louis Clyde Stoumen - Cinematographer Paul Malvern - Producer Robert North Bradbury - Screenwriter Robert North Bradbury - Director Carl Pierson - Editor Louis Clyde Stoumen - Cinematographer Paul Malvern - Producer Robert North Bradbury - Screenwriter Robert North Bradbury - Director Carl Pierson - Editor Louis Clyde Stoumen - Cinematographer Paul Malvern - Producer Robert North Bradbury - Screenwriter Robert North Bradbury - Director Carl Pierson - Editor Louis Clyde Stoumen - Cinematographer Paul Malvern - Producer Robert North Bradbury - Screenwriter Robert North Bradbury - Director Carl Pierson - Editor Louis Clyde Stoumen - Cinematographer Paul Malvern - Producer Robert North Bradbury - Screenwriter Robert North Bradbury - Director Carl Pierson - Editor Louis Clyde Stoumen - Cinematographer Paul Malvern - Producer Robert North Bradbury - Screenwriter Robert North Bradbury - Director Carl Pierson - Editor Louis Clyde Stoumen - Cinematographer Paul Malvern - Producer Robert North Bradbury - Screenwriter Robert North Bradbury - Director Carl Pierson - Editor Louis Clyde Stoumen - Cinematographer Paul Malvern - Producer Robert North Bradbury - Screenwriter

Angel and the Badman
(not reviewed)
 

The Star Packer
The highlight of this excellent low-budget western filmed at Newhall, California, is a rather spectacular fight scene involving no less than 40 riders, quite an undertaking for low-budget producer (and former stunt-man) Paul Malvern. Yakima Canutt, who also plays John Wayne's Indian sidekick, performs an equally amazing leap into the lagoon at Newhall and doubles Wayne in a great fight with fellow-stunt-man Ed Parker. Much have been written in recent years about The Star Packer's horror elements -- too much, some would say -- but they are not exactly frightening. Not even to leading Verna Hillie who, when confronted with a hideously grimacing Artie Ortego outside her bedroom window, merely fires off a few shots, one of which humorously hits a fleeing henchman in his nether regions. There is also a secret passageway, a hollow tree stump (appearing out of nowhere, incidentally) from inside of which Billy Franey shoots and kills newly elected Sheriff Tom Lingham, and a mystery villain whose identity is not too difficult to spot for anyone who has seen Wayne's previous Randy Rides Alone (1934). In the end, it is not the rather hoary mystery elements but the amazing stunts that make this little western truly stand out. ~ Hans J. Wollstein, All Movie Guide
 

Blue Steel
As he often managed to do, director/screenwriter Robert North Bradbury opens Blue Steel in a highly suspenseful manner, this time by having John Wayne holed up in a secluded hotel whose proprietor is expecting trouble. Assorted interesting guests arrive, including a couple of timid honeymooners, and there are mysterious bumps in the night. But Bradbury once again fails to follow through and the remainder of Blue Steel is the usual lackadaisical Grade-Z Western enlivened somewhat by a couple of good stunts from Yakima Canutt. Bradbury was full of good intentions, not to mention a noteworthy idea or two (his flash-pan method of getting a character from one place to another is always enjoyable), but lacked the economy and general wherewithal to make his Westerns much more than routine budget-fillers. But the Big Pine locations are picturesque. ~ Hans J. Wollstein, All Movie Guide
 

The Lucky Texan
(not reviewed)
 

The Desert Trail
(not reviewed)
 

McLintock!
McLintock! is one of the most popular of John Wayne's movies, but it is also one of the most hated among critics and certain segments of the filmgoing audience. It pushes wildly divergent sets of buttons in different viewers, a reflection of the fact that it's a deceptively complex film. McLintock! is, on its face, a Western comedy, but it also falls in among that handful of more overtly "political" films that Wayne made, such as The Green Berets and Big Jim McLain, and additionally, resounds with echoes of his screen work with director John Ford (indeed, Ford even showed up to direct for a couple of days when the official director, Andrew V. McLaglen, fell ill). The film is a difficult one for fans of the actor to watch without feeling deep pangs of nostalgia at every turn. The first hour of McLintock! is structured very similarly to the openings of the three movies in the so-called "cavalry trilogy" -- She Wore a Yellow Ribbon, Fort Apache, and Rio Grande -- that Wayne made with John Ford, with a leisurely (but carefully delineated) look at the characters and their inter-relationships. Its plot has echoes of both Ford's The Quiet Man and Rio Grande, dealing with courtship between two tempestuous personalities and the estrangement of a husband and wife, with an offspring between them. Mostly, however, McLintock is about age and impending mortality and what these things do to even the strongest of men. Wayne had previously essayed two roles of this type -- in Red River as a man driven to violence by his inability, with time and age, to control the events around him, and in She Wore a Yellow Ribbon, as a cavalry officer in the twilight of his career. McLintock! is a lighter film with a somewhat similar role at its center for the actor. The whole movie is filled with reminders that the circle of longtime friends surrounding Wayne was narrowing, as surely as the one surrounding G.W. McLintock. In 1963, however, reviewers who disagreed with Wayne's politics couldn't get past the movie's digs at big government or the character of the fatuous territorial governor Cuthbert H. Humphrey, a nasty swipe at Senator Hubert H. Humphrey, who was then a living symbol of liberal government. As a result, many critics can't abide the movie's paternalistic attitude toward women or its generally conservative vision of right and wrong. Even in its overt politicking, however, McLintock! is more even-handed than it is often given credit for being -- the first act of violence depicted in the movie shows G.W. McLintock breaking up the lynching of a Native American; and McLintock, in deciding what will happen to his property after his death, arranges to leave his ranch to the government, to turn into a national park so that no one will cut down the trees and spoil the land. As surprising as it is in all of these ways, McLintock! isn't a perfect movie, to be sure -- at least one musical number could have been dropped, and the script is a little sloppy here and there -- but it's essential viewing in understanding the final evolution of Wayne's screen persona. ~ Bruce Eder, All Movie Guide
 

The Dawn Rider
(not reviewed)
 

Texas Terror
(not reviewed)
 

Riders of Destiny
"As 'Singin' Sandy,' John Wayne introduces a new type of outdoor action pictures," Monogram publicity trumpeted in November of 1933. "He's a soft-singing, hard-fighting hombre..." Actually, somebody else provided Singin' Sandy's "soft-singing" voice, which rather obviously did not belong to Wayne himself. Contrary to popular belief, the ghost singer was not band vocalist (and future singing cowboy) Smith Ballew, who would spend the rest of his life denying culpability. Series producer Paul Malvern agreed, always maintaining that the rather rich baritone was provided by Bill Bradbury, the son of the film's director. Although it failed to popularize singing cowboys, Riders of Destiny survives as a buoyant and rather optimistic little B-Western, in its day undoubtedly inspired by a new, more hopeful spirit in a country still in the throes of the Depression and reintroducing a young actor who, although a rather hesitant thespian, at least looked and sounded the part better that many of his rivals. ~ Hans J. Wollstein, All Movie Guide
 

West of the Divide
(not reviewed)
 

(no awards)

General Specifications: Language Options: English Subtitle Options: Spanish, Japanese Sound Processing: Additional Features: Includes an introduction by Tony Curtis and additional bonus footage of John Wayne Digitally mastered from the best available sources for the highest quality possible MPAA Rating: DVD Discs Included: 8 DVD Sides: 8 DVD DVD Region Code: All Content Length: 785 min   DVD Chapters: Side #1 -- The Lucky Texan/The Desert Trail 1. Start [10:24] 2. "No Pay Dirt" [9:17] 3. Strange Money [5:22] 4. Jake Is Innocent [7:25] 5. "Get Jerry" [10:46] 6. Dead Man Walking [10:32] 1. Start [9:16] 2. Card Game [9:13] 3. Hiding in the Closet [10:03] 4. Too Many Strangers [10:07] 5. Wanted for Murder [15:36] Side #2 -- Angel & The Badman/John Wayne on Film 1. Angle and the Badman: Start/The Telegraph Station [7:14] 2. Angle and the Badman: The Quaker Family [12:54] 3. Angle and the Badman: Laredo Looks for Quirt [1:36] 4. Angle and the Badman: Quirt Awakens [3:26] 5. Angle and the Badman: Laredo Arrives at Worth's [4:49] 6. Angle and the Badman: Quirt & Penny [2:13] 7. Angle and the Badman: On the Farm [3:44] 8. Angle and the Badman: Carson [8:24] 9. Angle and the Badman: Wistful McClintock [5:34] 10. Angle and the Badman: A Quaker Meeting [7:04] 11. Angle and the Badman: Cattle Run [5:41] 12. Angle and the Badman: Gambling Hall [7:21] 13. Angle and the Badman: Quirt & Randy Celebrate [:51] 14. Angle and the Badman: Back to the Farm [12:36] 15. Angle and the Badman: Attack [7:19] 17. Angle and the Badman: Tony Curtis' Closing Words [:32] 16. Angle and the Badman: Revenge [8:34] 1. John Wayne on Film: The Duke [2:28] 2. John Wayne on Film: Early Years [3:04] 3. John Wayne on Film: Stagecoach [2:38] 4. John Wayne on Film: The Wayne Mystique [:59] 5. John Wayne on Film: Calvary Trilogy [3:16] 6. John Wayne on Film: War Dramas [1:17] 7. John Wayne on Film: The Classics [5:10] 8. John Wayne on Film: Patriotic American [4:38] 9. John Wayne on Film: Final Years [3:35] Side #3 -- West of the Divide/The Man from Utah 1. Opening Credits [3:35] 2. Reward for a Murder [5:10] 3. Don't Let Her Escape! [5:47] 4. She's Wounded [2:54] 5. Asking Around [4:32] 6. Horses Gone Wild [2:55] 7. A Fight Breaks Out [2:59] 8. Herding Cattle [4:22] 9. Meeting on the Ranch [5:49] 10. Final Showdown [13:24] 11. Sitting on a Tractor [1:03] 12. End Credits [:09] 13. Opening Credits [5:06] 14. Falling Off a Horse [2:20] 15. Canoe Ride [9:05] 16. Nice to Meet You [2:47] 17. Cowboys and Indians [3:15] 18. Rodeo Festival [3:47] 19. Lady's Man [4:16] 20. At the Bar [5:47] 21. Bull Wrestling [9:09] 22. Get Him! [2:37] 23. Chase in the Brush [2:58] 24. End Credits [:09] Side #4 -- The Star Packer/Blue Steel 1. Start/Guarding the Stagecoach [7:23] 2. There's a New Sheriff in Town [11:58] 3. Finding the Hideout [10:02] 4. On the Trail of the Shadow [15:10] 5. The Final Chase [8:46] 1. A Stormy Night [10:36] 2. The Outlaws Ride [9:32] 3. A Town in Trouble [11:15] 4. Finding the Hideout [3:15] 5. Trapping the Outlaws [13:07] 6. The Hero Gets the Girl [2:41] Side #5 -- The Dawn Rider/Texas Terror 1. The Dawn Rider [7:26] 2. Express Robbery [5:58] 3. Hero Shot [4:35] 4. Big Reward [4:20] 5. Seeds of Suspicion [3:12] 6. Gold Shipment [12:37] 7. Wrong Conclusions [9:25] 8. 4pm [7:41] 11. Texas Terror [2:50] 12. Express Robbery [4:12] 13. Best Friend Shot [3:48] 14. Indian Friends [2:27] 15. Dans Daughter [5:21] 16. Plans [7:55] 17. Halloween Dance [10:32] 18. Confronted [14:12] Side #6 -- McLlintock! 7. McLintock [4:18] 8. Needs a Job [5:20] 9. Wise Advice [4:58] 10. Indians Around Here? [2:51] 11. Katie Moves In [5:18] 12. The Next Morning [7:11] 13. Big Brawl [1:58] 14. Breakfast in Bed [2:53] 15. Becky's Homecoming [5:28] 16. Party Time! [10:43] 17. A Daughter's Concern [5:12] 18. Trollop [6:23] 19. Indian Trail [2:57] 20. Secret Plans [:08] 21. 4th of July Rodeo [5:38] 22. The Spanking [8:57] Side #7 -- Randy Rides Alone/The Trail Beyond 1. Ghost Piano [4:53] 2. Where's Your Gang? [3:39] 3. Locked Up [3:13] 4. The Gang's Hideout [4:59] 5. A Deal Is Proposed [3:24] 6. A Secret Meeting [6:46] 7. Wanted Dead or Alive [5:37] 8. Hoodwinked by the Gang [5:48] 9. Where's the Money? [4:19] 10. A Fight Ensues [6:02] 11. Knocked Off the Horse [3:02] 12. Please Forgive Me [:37] 13. I'll Do My Best [2:36] 14. All Aboard [4:25] 15. There's a Shortcut [4:18] 16. A Pleasure to Meet You [5:09] 17. Cabin Brawl [6:45] 18. What Do You Know? [3:53] 19. Held Captive [4:14] 20. Rowing Down the River [8:38] 21. Everybody Ready? [6:47] 22. Gunfire Begins [4:11] 23. Carrriage Race [2:45] 24. Goodbye! [:53] Side #8 -- Riders of Destiny/The Sagebrush Trail 1. Opening Credits [:55] 2. On the Run [5:55] 3. You Got Me! [5:23] 4. Reward [1:24] 5. The Test [7:20] 6. The Payroll [5:43] 7. A Fast One [2:29] 8. The Truth [2:39] 9. The Sheriff [6:02] 10. Hands Up! [4:07] 11. Shootout! [9:19] 12. The Confession [2:04] 13. Opening Credits [:50] 14. Singing Cowboy [2:38] 15. Woman in Distress [4:57] 16. The Money [5:19] 17. The Water Contract [9:46] 18. Dinner [2:09] 19. Town Meeting [2:21] 20. Your Last Draw [7:43] 21. He's a Killer [4:44] 22. Dynamite [2:21] 23. Who Are You? [4:19] 24. I'm Getting Even [5:02]