Anna KareninaThis second filmization of
Leo Tolstoy's novel is widely regarded as the best version.
Greta Garbo plays the title character, the sheltered wife of Czarist official
Rathbone. Intending to dissuade
Rathbone's brother (
Reginald Owen) from a life of debauchery,
Garbo is sidetracked by her own fascination with dashing military officer
Fredric March. This indiscreet liaison ruins
Garbo's marriage and position in 19th century Russian society; she is even prohibited from seeing her own son (
Freddie Bartholomew). In keeping with the censorial strictures of 1935 Hollywood, Anna Karenina is extremely careful in the staging of its final suicide sequence, allowing the audience to determine for itself whether or not
Garbo's desperate act of throwing herself under wheels of a train is intentional. Outside of the expected superb performances of
Garbo and
March, the film's most fascinating characterization is offered by
Basil Rathbone, whose cold cruelty in banishing his wife is shown to be the by-product of his own broken heart (though
Rathbone never allows himself to descend into cheap sentiment). The first film version of Anna Karenina was the 1927 silent feature Love, also starring
Garbo, which substituted an imbecilic happy ending for
Tolstoy's bleak denouement (there would be an acceptable third version in 1948, starring
Vivien Leigh. The 1935 Anna Karenina is arguably the finest accomplishment of the felicitous 1930s alliance between star
Greta Garbo, director
Clarence Brown and cinematographer
William Daniels. ~ Hal Erickson, All Movie Guide